Throughout literary works by Oriana Fallaci it can be done by researching how the author by combining different discourses (journalistic, literary, historic) uses in her own particular way the concepts, terms and memories of those tragic events. On the pages of Nothing, and so be it, report of the Vietnam war, it says: «There is no need to be Nazis to become murderers: massacres in the name of democracy, Christianity, freedom kill as many as those in the name of the “grand” Reich». The author always unites the Nazi reality with facts described in her novels. This correlation is used to talk about a human being and his/her nature of angel and beast. «You should admit that behind every [...] collective violence there is a book, and behind every genocide there is Mein Kampf». Are the words from Insciallah, the book in which Fallaci tells of the war in Lebanon. The link between Fallaci’s literature and sad page of history signed by Nazism is evident also from the use of terms like “genocide” and “concentration camps”. Terms and concepts that provoke in reader’s mind a universe of symbols which ease the comprehension of reality are not directly connected to those events. In this way goes A Man where the word “genocide” is placed together with concept of “ideology”. The atrocities of the Second World War left a deep imprint on writer’s childhood and remain alive on the pages of If the Sun Dies, in which Fallaci depicts her father’s arrest and her mother’s heroic courage while waiting for the return of her man. Throughout the books by Oriana Fallaci it is possible to rethink “Auschwitz”, make it vital and useful to understand, to know and not to forget.